Hannah Nicklin

The Umbrella Project.

It started like this: I was in London for a coupe of weeks, sometime just before Spring…. sprung. It was tipping it down, quite late at night, I was walking under one of the arches near London Bridge, on Bermondsey Street. It must have been a Friday night, because there were a lot of people dressed up going places. I saw a girl, she was shivering and wet and doing her level best to shelter her  hair and makeup from the rain. I wished I had a second umbrella to give her. I wished I had given her mine.

It now looks like this: from the 7th of October ’til the 12th of November umbrellas will be appearing all over York. In certain places. You may also see me, at certain times, on certain days, standing in front of a big inflatable thingy, ready to offer you a biscuit, a cup of tea. The umbrellas that you might find, or that I might give you are free to take, to use, to pass on, and then to drop off, so other people can use them. Think of it like a Boris Bike system for umbrellas, except that it’s free. I’m giving hundreds of umbrellas to the city of York, all I want in exchange is their stories. The umbrellas each have a number on, if you call that number, you’ll be asked a question. Leave a story, any story, in response, and over the 5 weeks I will be producing 3 x 20-30 minute sound pieces to be listened to in certain parts of the city. Free to download, or to pick up a ready-loaded mp3 player from York Theatre Royal or the Central Library.

I’m being helped to do this with the magnificent music of Simon Ralph Goff (who’s been collecting and manipulating found sounds from around the city, and turning them into instruments), the production of the brilliant Pilot Theatre, who as well as offering an incredibly generous amount of support-in-kind, also brought Arts Council money on board, and the germ of the idea itself was developed under the mentoring of the FutureEverything accelerator program, and forms part of my PhD-as-practice with (and where I am also supported by) Loughborough University.

So many hands. Helping me make this thing, which I hope will be an experiment in connecting people, small kindnesses, and voicing a city. Get excited. I am. (I’m also equal parts nervous, but I don’t think you need to share that too.)

The main site for the project is up now: umbrellaproject.co.uk, and you can also follow @umbrellaproject on Twitter and ‘like’ it over on Facebook. At the moment there’s basic info, but as soon as downloads are released, and event dates for the walks, and my visits to the streets of York are announced, you will find details about them in all of those places.

And for now? pass it on…

Under the Wire

It’s a picture. Of a cake. That I made. For my friend Andy’s 21st Birthday.

In unrelated matters it’s the last day of the month and I have only filed 3 of my 4 monthly quota’d blog posts.

Chapter two went well, will post it up here, maybe in sections, maybe when it resembles something akin to the English language. The Umbrella Project looking more and more exciting, with an upcoming test of the message system which will play with some collected stories –  more on that soon, too. I’ll probably be talking about related matters at Ted X York in a few weeks (eep!)

Oh, and if you’re in the East Midlands this Thursday, I shall be chairing a really exciting event being run by Broadway Media Centre – as part of their Making Future Work project they’re hosting several ‘Future Work’ events. I shall be introducing the Making Future Narrative event at LPAC in Lincoln, expect 10 minutes of blistering hyperbole followed by a couple of hours of overly complex ‘you’re running out of time’ gestures. I want them to look like the baseball code they use as a comic vignette in American TV shows.

And finally, here’s a cryptic clue to something I’m going to be doing avec the insanely talented Steve Kilpatrick in London at the end of July. It may or may not involve 22 performers.

A Conversation About Theatre

I’m a bit ill this week, so am instead posting a conversation I had on Twitter that if I’d had the energy for anything extra, would probably have turned into a blog post. I’ve also put the definition of Theatre that I’m working on for the PhD above. It’s in progress, what do you think?

Continue reading…

2010: A Year in Art (Mine and Other People’s)

Me mid-June, with my freshly broken arm and super-attractive cast protector.

Mandatory end-of-year reflective blog post ENGAGE.

So, yep, here we are. And what the heck could you want more than my reflections on My Life in Art 2010 Edition? Exactly. This is going to be meandering and will probably miss things out, but is a rough account of art wot I have done, and art wot I enjoyed this 2010…

So, apparently I’ve actually done quite a bit of art stuff this year, despite the full-time PhD (and I managed to deliver two papers this year without having anything thrown at me, or getting thrown out) plus a broken arm in June… which still hurts actually. Half a year more and it should stop. Anyway, art!

In March I had my first full proper-play production at Theatre503 with Box of Tricks Theatre’s Word:Play – Awake was a short 15 minute conversation between a dying gamer and her avatar. It was an interesting experience, but I don’t really rate it as a piece of writing, I think I’d found a story but not really the right form; so I next moved from the stage to the street… In May I released my first experiment in sound-based pervasive work – Walk With Me, a 10 minute soundwalk for one to be done anywhere in the rain. I got some lovely feedback, handwritten notes, posted found items, and twitpics and photo albums from people who went on the walk. I then got to develop to 30 minutes worth of sound-walking for The Smell of Rain Reminds Me of You in July, which although admittedly breathed it’s first breath out of Walk With Me, was this time built out of memories collected from people online. It was commissioned by the Green Room as part of the Hazard Festival, and I fell slightly in love with Manchester as well as learning a lot about working with a group audience, not just a single person. APPARENTLY YOU CAN’T HERD THEM. Who knew. Then Fierce‘s Interrobang allowed me to push my practice beyond the soundwalk (which I didn’t want to get stuck in as a form) into a 4 minute piece of live art called ‘Home’… OK it still used recorded sound. And was pretty damn authored. But it was a step, and I learnt a lot more about live art as a form. A brief art/academia mashup occurred for the TaPRA conference with A Soundwalk without Organs - a soundwalk done as part of a paper delivered which described the contemporary academic conference as completely useless in representing either academic thought or arts practice. FUN. Then it got to Autumn, and I got to make a soundwalk with a piece of entirely new music from the brilliant Lantern Music, Nightwalk York happened as part of the Take Over and Illuminating York Festivals in October/November. Finally towards the end of November Hibernate! a game for Larkin’ About took to the streets of Manchester, and I was at least able to push my practice a little bit further in terms of pervasive stuff… Continue reading…