Hannah Nicklin

TEDxYork

TEDxYork (click the link if you can’t view flash)

Had a magnificent time at TEDxYork. Enjoyed speaking very much (during and after it happened, at least) and was a real privilege to hear thoughts from people like Alan Lane, Alex Kelly, Dan Bye, Tassos Stevens, Baba Israel et al. A little disappointing in terms of female presence, but otherwise really fascinating. I’M TOO TIRED TO TURN ALL OF THESE NAMES INTO LINKS. PLEASE GOOGLE THEM. And do read Alan’s talk about ‘cancer, West Berlin, pianos and ideas above your station’. I’ll post the TEDx video of my call to arms for artists, technologists and citizens as soon as it’s up. No time right now to turn my notes into something bloggable, but will leave my slides and conclusion above and below if you want to peruse them. They give very little away, sorry.

This week: Umbrella Project sound categorising, PhD, Zero Hour visit to London, more desperate volunteer recruiting, and preparation for the workshops I’ll be running in Brussels. No rest/wicked, etc.

These examples, they use technology, but not as a tool, They put a body at the centre of it, and use it to create a spectre.

“a revolutionary practice that relies as much on imagining and mobilizing better stories as on shocks to the system” (Pile, 2010, p. 53)

If I might return to the metaphor of ‘steam’. Technology and art should about taking heat, and water, and producing something fundamentally different.

Too often the arts look at technology as a tool – not as a material, as long as they do, they won’t truly be able to work with it

The arts need to embed themselves in the real world like a virus. Haunting the city with visions of what it might be. Of how we, not private interests, might be able to use technology in the city.

Flash!

Aa-ah. Falling behind in June content already. Just dropping by quickly to nudge you in the direction of something that Andy Field and I have been scheming (on, about? Never used the word ‘scheming’ before). A return of the Flash Conference we sprang at State of the Arts earlier on this year. Now much bigger! Much longer! And with creative as well as thinky inputs!

Basically it will be hosted by Forest Fringe in Edinburgh, on the 21st of August. We have been gathering questions, speakers, performances, and innovative-ish ideas for holding different level of dialogue, and will bring them all together in a cornucopia of discussion of the ideas of performance, what it means to be ‘fringe’, the state of the world, and how the arts thread through that. And as ever, we’ll be posting audio of all the provocations, will hopefully have livebloggers, and will definitely try our damndest to replicate the conversation online, and feed everything both ways across the virtual/real membrane. Ticket will work on a pay-what-you-can model, and we’ll even do lunch. Hold the date, eventbrite will be out soon.

Copy!

This day is not about railing against authority or the great institutions of the arts. It is a day for everybody to gather at the edges of those big institutions and organisations, on equal terms. To ask daring questions and suggest implausible answers. To share a spirit of generosity and a galvanising sense of hope; that despite or perhaps because of the political, financial and environmental circumstances in which we find ourselves, the arts can and will play a part in imagining and realising a better possible future.

We’re still looking for partners to help support the event, so if you’d like to help (in exchange for your logo on every available surface) do drop us a line. And if you can offer your time over the event to help live blog/document the conversations, or if you have a pro-camera (something along the lines of a Cannon 550D) you could lend/come up and use, please DO let me/us know.

Finally, today is the last day to get a question in for the voting next week. 2 of the 4 questions that will frame the whole event are going to be from submissions. So PLEASE do submit. Everyone has their bugbear, wondering, pet peeve, or great ambition for performance, and the questions will be anonymous, so you can be as controversial as you like. Even if you can’t quite form a question, please just send us some thoughts and we’ll shape it into something that could provoke a discussion…

Think that’s that. I’ll be back later this month posting various talks that I’m giving places. Hopefully interesting ones. The TEDxYork stuff should be at least. I actually checked out the site the other day and was bowled over by who else is speaking. Feels very odd to be on the same platform as people like Bill Thompson, Daniel Bye, and Tassos Stevens. I like the theme, too; A New STEAM age. STEM plus ‘A’ for arts. GEDDIT?! Yeah.

Under the Wire

It’s a picture. Of a cake. That I made. For my friend Andy’s 21st Birthday.

In unrelated matters it’s the last day of the month and I have only filed 3 of my 4 monthly quota’d blog posts.

Chapter two went well, will post it up here, maybe in sections, maybe when it resembles something akin to the English language. The Umbrella Project looking more and more exciting, with an upcoming test of the message system which will play with some collected stories –  more on that soon, too. I’ll probably be talking about related matters at Ted X York in a few weeks (eep!)

Oh, and if you’re in the East Midlands this Thursday, I shall be chairing a really exciting event being run by Broadway Media Centre – as part of their Making Future Work project they’re hosting several ‘Future Work’ events. I shall be introducing the Making Future Narrative event at LPAC in Lincoln, expect 10 minutes of blistering hyperbole followed by a couple of hours of overly complex ‘you’re running out of time’ gestures. I want them to look like the baseball code they use as a comic vignette in American TV shows.

And finally, here’s a cryptic clue to something I’m going to be doing avec the insanely talented Steve Kilpatrick in London at the end of July. It may or may not involve 22 performers.

So, that was #SOTAflash

Another fantastically busy week has been and gone, I’m saving one half of it to talk to you about next week, but I think if you follow me down any particular path of the interwebz, you will have noticed that on Thursday I helped convene the ‘Flash Conference‘ at the heart of the ACE/RSA State of the Arts Conference. The Flash Conference was conceived of by myself, Andy Field, and Laura McDermott out of a reaction our awareness of the general dissatisfaction with last year’s format, with some of the problems of scale often faced by such a large event (i.e., missing any address to the smaller scale), and finally, from my point of view at least, with the language and the questions that the conference was shaped around. That last point is perhaps a little impolitic to say (nor very clearly said, my brain is mush this weekend) but the shift into, for example (what turned out to be entirely rudderless) conversations about art and the Big Society rang rather uncomfortable with me, personally. Partly because of my own politics, but also because it felt like a program that pandered to government, not one that brought all to the same table for what could have been a more valuable conversation.

I’m being a little careful with my language here (‘careful’ for me, anyway), and that’s because, entirely to the conference organisers’ credit, when we approached them with our idea to run a companion conference in a nearby pub they actually invited us into the conference itself. Though, as Lyn Gardner put it we were slightly “banished upstairs” – the fact that we were there at all was brilliant, not because we ourselves wanted to talk to the top table types, but because it enabled us to bring so many other voices to that top table – people who couldn’t afford the travel or the ticket price; artists, students, performers and makers for whom the conference really did not feel like a welcome place; or single parents without childcare. I hope that the great deal of interaction that we enabled showed the organisers, and indeed any organisers of any event, quite how much people are dying to have a two-way conversation rather than a one-way panel-driven selection of monologues.

Over 4 days the flashconference.co.uk site had 1273 individual visits from 27 countries, 52 videos, images, texts and sounds were submitted to the blog, 1827 tweets were exchanged, with the majority of that activity falling on the day of the conference. We were inundated not just with contributions, but also thanks, for allowing people who had felt excluded to sound in on the debate. Certainly this was not a perfect format, but it was hopefully a spark, a small static shock. Our industry deserves such large-scale spaces for discussion, but they will only begin to be truly discursive when they speak to the whole of the arts ecosystem, and from a place in not above the world that we all live in. Continue reading…