Hannah Nicklin

London-based folk wanted for the End of Days

This will hopefully go up on ArtsJobs soon, too, but thought I’d share it on here and twitter etc. as soon as possible. Please do pass it on to anyone who you think might be interested. Thanks!

Looking for 20 people, around the age of 18-35, 10 male, 10 female

I am an emerging artist creating an apocalypse-related sound experience for a festival happening in London in July. The piece is set on the top deck of a night bus, and requires 20 people to complete simple actions on the streets at set times along the bus route.

You will need to be willing to work in pairs, for a few hours reasonably late on 3 nights, as well as attending a brief meeting, and day’s preparation. The movements will not be complicated, for example, one just involves running along the street whilst holding hands.

You will need to be available:

• On the late afternoon or early evening of the 14th of July for a brief meeting
• Most of Saturday the 23rd of July to choreograph and rehearse the movements.
• Between the hours of midnight and 1am on the 24th of July, for a dress run.
• Between the hours of midnight and 2am (or a little later depending on where you are on the route) on the 25th and 27th of July.

I can pay each ‘performer’ up to £10 expenses, and will buy everyone a drink. If you get any costume items, you’re welcome to keep them! You will also be fully credited on the handout material that goes with the show.

If you’re interested in helping me create the apocalypse on a bus route, please contact me to find out more! Email Contact [at] hannahnicklin.com as soon as possible (and before the 11th of July) for more info.

Greening the Arts

I was talking to Third Angel about a few things today, and the conversation touched on how for most small-mid scale companies, the ‘green’ option is often prohibitively expense. I had a thought. They seemed to think it was a good one. So simple I can demonstrate it with a two-bar bar chart. OBSERVE:

I drew the diagram in skitch, which isn’t designed for drawing things, really. But shhhh.

So, what about it? Money where our mouths are and all that, how about the government and ACE work together a ‘greening the arts’ fund that ‘tops up’ from the cost of a cheaper non-green option, to cover the extra which allows a company to make green decisions?

OK it’s more complicated than that, and would go together with educating companies on greener solutions, maybe setting up [as Hilary of T.A. suggested) a resources sharing database (‘we’re touring to Glasgow and could take <X commonly held theatre-y items> with us, but I can see that <y company> has <x> available 50 weeks of every year, so maybe we don’t have to), that even extends to LPG touring vans. And also consider more efficient touring methods, venue lighting/heating methods… But really, we need to pull our fingers out, right?

/file under, unfinished thoughts.

Flash!

Aa-ah. Falling behind in June content already. Just dropping by quickly to nudge you in the direction of something that Andy Field and I have been scheming (on, about? Never used the word ‘scheming’ before). A return of the Flash Conference we sprang at State of the Arts earlier on this year. Now much bigger! Much longer! And with creative as well as thinky inputs!

Basically it will be hosted by Forest Fringe in Edinburgh, on the 21st of August. We have been gathering questions, speakers, performances, and innovative-ish ideas for holding different level of dialogue, and will bring them all together in a cornucopia of discussion of the ideas of performance, what it means to be ‘fringe’, the state of the world, and how the arts thread through that. And as ever, we’ll be posting audio of all the provocations, will hopefully have livebloggers, and will definitely try our damndest to replicate the conversation online, and feed everything both ways across the virtual/real membrane. Ticket will work on a pay-what-you-can model, and we’ll even do lunch. Hold the date, eventbrite will be out soon.

Copy!

This day is not about railing against authority or the great institutions of the arts. It is a day for everybody to gather at the edges of those big institutions and organisations, on equal terms. To ask daring questions and suggest implausible answers. To share a spirit of generosity and a galvanising sense of hope; that despite or perhaps because of the political, financial and environmental circumstances in which we find ourselves, the arts can and will play a part in imagining and realising a better possible future.

We’re still looking for partners to help support the event, so if you’d like to help (in exchange for your logo on every available surface) do drop us a line. And if you can offer your time over the event to help live blog/document the conversations, or if you have a pro-camera (something along the lines of a Cannon 550D) you could lend/come up and use, please DO let me/us know.

Finally, today is the last day to get a question in for the voting next week. 2 of the 4 questions that will frame the whole event are going to be from submissions. So PLEASE do submit. Everyone has their bugbear, wondering, pet peeve, or great ambition for performance, and the questions will be anonymous, so you can be as controversial as you like. Even if you can’t quite form a question, please just send us some thoughts and we’ll shape it into something that could provoke a discussion…

Think that’s that. I’ll be back later this month posting various talks that I’m giving places. Hopefully interesting ones. The TEDxYork stuff should be at least. I actually checked out the site the other day and was bowled over by who else is speaking. Feels very odd to be on the same platform as people like Bill Thompson, Daniel Bye, and Tassos Stevens. I like the theme, too; A New STEAM age. STEM plus ‘A’ for arts. GEDDIT?! Yeah.

Under the Wire

It’s a picture. Of a cake. That I made. For my friend Andy’s 21st Birthday.

In unrelated matters it’s the last day of the month and I have only filed 3 of my 4 monthly quota’d blog posts.

Chapter two went well, will post it up here, maybe in sections, maybe when it resembles something akin to the English language. The Umbrella Project looking more and more exciting, with an upcoming test of the message system which will play with some collected stories –  more on that soon, too. I’ll probably be talking about related matters at Ted X York in a few weeks (eep!)

Oh, and if you’re in the East Midlands this Thursday, I shall be chairing a really exciting event being run by Broadway Media Centre – as part of their Making Future Work project they’re hosting several ‘Future Work’ events. I shall be introducing the Making Future Narrative event at LPAC in Lincoln, expect 10 minutes of blistering hyperbole followed by a couple of hours of overly complex ‘you’re running out of time’ gestures. I want them to look like the baseball code they use as a comic vignette in American TV shows.

And finally, here’s a cryptic clue to something I’m going to be doing avec the insanely talented Steve Kilpatrick in London at the end of July. It may or may not involve 22 performers.