#Dust was a first artistic response to the Splacist Manifesto. #Dust was a collaboration between writer/theatre maker Hannah Nicklin and artist Nikki Pugh. #Dust was a commission by MADE. #Dust is a fragment of a city.

There were two main components to #Dust, first the Dust Balls, and secondly the Dust Motes.

The Dust Balls are large fragments of the city. They are formed out of open source electronics, clay, hope and optimism. They begin by introducing themselves to the listeners, and instruct them to point the device in different directions in order to ‘pick up’ stories of individuals in the areas surrounding them. Depending on the timing and direction in which you are facing, different stories will be heard.

They are heavy, and designed to be listened to by two people at once – the weight and bulk of the object meaning that two are required to support it. The two people sharing each experience of overhearing the stories should be strangers.

The Dust Motes are small fragments of the city. Memories, secrets, and moments lost, dropped, found, discovered, gifted, stolen and spread throughout the city. All are from Real People. Be very careful with them. Select ones you like the feel of. Keep them safe.

These motes were spread around the area surrounding the carpark where the first section happened. Groups of 3 went out to collect Motes, which they were then asked to look after carefully. At the end of the walk back to MADE’s office, they were asked to make a decision. Keep it, or crush it and see if anything was inside.

Why Oh Why: This collaboration started with a number of aims; challenging Nikki and Hannah as artists (Hannah to work with more fragmentary narrative directly augmenting a city, Nikki to work with narrative and examine interfaces), challenging the perception of how space is inhabited, considering Birmingham as inhabited architecture, picking up the fragments that you often walk by, to consider our ways of getting at the world; a consideration of the map view and the street view. As well as responding to the Splacist Manifesto, which is concerned with these things and more.

The Brief: After starting with the manifesto and the aims above, we wrote ourselves the following brief. Out of this the idea for #Dust emerged. “Make something that examines interfaces and how to create resonance in space and place. Looking at fabric pre-woven and overlaid; of narrative/moments, that heats and lights and races hearts.”

Fragments and the city. Cities are made up of the people who move through them; without them they are like crab shells. In this metaphor, we are the crab meat. And to confuse it. Crab meat made up like that bar of soap your grandma used to make out of all the ends of other different coloured soaps. Maybe we should dispense with the crab soap. What I’m trying to say is that we are everything that a city is. That cannot be reduced to a map or a single path through the place. #Dust aims to bring to life (in a very small way) a very small part of the patchwork of experiences, moments, breath, that is being-in-the-city.

Read more: We are also dedicated to being open about our processes, so to follow the blog posts that accompanied the making process, head over onto npugh.co.uk/tag/dust/ and hannahnicklin.com/tag/splacist

So just over the 3 week point in the Umbrella Project (it’s 5 weeks long) and things are just about starting to get to the point where I’ve enough time to blog. Biggest realisation from this experiment was how more than slightly ridiculous collecting the material for, transcribing, editing, recording, collaborating on, testing, mixing and releasing 3 soundwalks actually is. Including running events and trying to run a bit of digital awareness raising, too. Phew. Think a concerted amount of the ‘you can download and do these things’ work is going to have to happen afterwards. We’ve another day out with our big inflatable dome thingy on the 12^th (the last day) so I think that’ll be a good point to do that.

So yes, all the story collecting trips are done, although you can still leave your stories of journeys via the number on the umbrellas up until the end of this week (when writing happens).

The first soundwalk – Evening – is done and available for download (designed to be done after dark outside the bigger of the two Betty’s Tea Rooms) the download link and full instructions (do grab those too) can be found over here.

The second soundwalk – Daytime – will be released on Tuesday (designed to be done sitting down somewhere in the pedestrian bit of Parliament Street, at a busy time of day, lunchtime, or a Saturday). That will be up on the same download page.

And the final soundwalk ‘Commute’ will be released on the 10^th, with event days for Daytime on the 5^th, and Commute on the 11^th. Join us on those days if you’d like to get the chance to talk to me or Tom (artistic producer on the project) about it.

Also, worth me putting down in pixels, how absolutely positively brilliant everyone at Pilot have and are being on this, to take the risk on what is still being termed an experiment (learning an awful lot creatively as well as logistically, which would make a re-mount/developed version quite drastically different, I think) in the first place, as well the incredible support in kind, and actual bodies-on-the-ground support etc. Would probably be curled up in a ball weeping if it wasn’t for them. So THANKS, PILOT.

And here’s some pictures (facebook link) of story collection days to amuse you, and a trailer for the first soundwalk (making the second trailer tomorrow).

*collapses*

Oh, and if you don’t know what any of this is going on about, head over to this video, or the site.

The first is my first more traditional performance piece in a good few years. A small work in progress for an audience of 8-10 (due to venue size, I’m sure it will scale eventually) at the Flanagan Collective’s ‘Little Festival of Everything’. #Littlefest (all donation based ticketing) will be taking over the Fauconberg Arms in Coxwold, North Yorks, and a lot of the villagers’ homes, too, and filling the pub and surrounds with around 100 pieces of art&performance. Ace. I’ll be joining people like Rash Dash, Belt Up, Pilot, Chris Thorpe and loads others to present a piece I’ll be working in for about 4 days prior. A Conversation with my Father.

Here’s the copy (I suck at copy)

An early work in progress born out of a conversation between an ex-policeman and his protestor daughter. A conversation about fear, grey areas, them and us, duty, and standing up to protect what you think matters. An intimate piece for a small audience at a very early stage of development, please come, watch, and offer feedback.

It’s on 6 times over 2 days, and will probably involve video or projection of some kind. Maybe just sound. I’m not sure. I’m filming a conversation with my father on the 7^th, and basically working something up from there. Hopefully it’s going to be pretty interesting, and is kind of addressed at both sides of the fence, protestors and non protesting public/police officers. More of a question about the fence in the first place, really. WATCH THIS SPACE. And come to Yorkshire for the weekend to see it.

The other super exciting and slightly unnerving (that’s how I like my life) thing I’m doing is a collaboration with the BRILLIANT Nikki Pugh. Who is the person who’s going to teach me to hack and solder properly. One of these days. You may or may not have noted that we’ve been working on a Splacist manifesto – well MADE have invited Nikki to lead (I think I’m helping) a workshop on the manifesto, and commissioned us both to work on our first practice-as-response to it, which is free to come and see/do (though ticketed, head here for more info)

Copy wot I did not write, and is therefore far superior:

Who are the Splacists? Will introduce the context for, and development of, the Splacist manifesto as well as reporting findings from the What are the Splacists? activities conducted earlier in the day. There will also be an opportunity to experience work developed in collaboration between artists Nikki Pugh and Hannah Nicklin. This work has been commissioned by MADE as part of Learning Spaces Living Places 2 and represents the first in direct response to the manifesto. The evening event is your chance to experience it first-hand and be a part of it.

Splacism is a contemporary mode of practice proposed by Paul Conneally. A new set of ideologies defined by Hannah Nicklin and Nikki Pugh. A hop, skip and a jump away from phsychogeography and the works of the situationist international. Think space, place and splice. Developed empirically by whoever’s interested.

Both really exciting things to lead up to Christmas, which I fear may have to be the point at which things settle down a bit and I spend 7 months or so actually finishing my PhD. Hm.

People have been telling me stories, and I will get to them. But I want to start with the silences. The inarticulacies. The people who don’t feel like their lives are worth putting into words. The people who asked ‘why me’? The lack of light, the darkness on the edge of city nights, the things on the edges of saying.

Event details for the first soundwalk will be released on Monday…

videos!

“A Line Made by Walking Without Marking the Earth – A GPS Workshop for Artists” Run by the Live Art Development Agency, led by Daniel Belasco Rogers of plan b at Yorkshire Sculpture Park.

Was full of awesome, haven’t much time to respond to it properly, so am sticking my photos up here. Still ferreting away at Umbrella Project things, not long now!

planbperformance.net/dan/blog/?p=474

It started like this: I was in London for a coupe of weeks, sometime just before Spring…. sprung. It was tipping it down, quite late at night, I was walking under one of the arches near London Bridge, on Bermondsey Street. It must have been a Friday night, because there were a lot of people dressed up going places. I saw a girl, she was shivering and wet and doing her level best to shelter her  hair and makeup from the rain. I wished I had a second umbrella to give her. I wished I had given her mine.

It now looks like this: from the 7th of October ’til the 12th of November umbrellas will be appearing all over York. In certain places. You may also see me, at certain times, on certain days, standing in front of a big inflatable thingy, ready to offer you a biscuit, a cup of tea. The umbrellas that you might find, or that I might give you are free to take, to use, to pass on, and then to drop off, so other people can use them. Think of it like a Boris Bike system for umbrellas, except that it’s free. I’m giving hundreds of umbrellas to the city of York, all I want in exchange is their stories. The umbrellas each have a number on, if you call that number, you’ll be asked a question. Leave a story, any story, in response, and over the 5 weeks I will be producing 3 x 20-30 minute sound pieces to be listened to in certain parts of the city. Free to download, or to pick up a ready-loaded mp3 player from York Theatre Royal or the Central Library.

I’m being helped to do this with the magnificent music of Simon Ralph Goff (who’s been collecting and manipulating found sounds from around the city, and turning them into instruments), the production of the brilliant Pilot Theatre, who as well as offering an incredibly generous amount of support-in-kind, also brought Arts Council money on board, and the germ of the idea itself was developed under the mentoring of the FutureEverything accelerator program, and forms part of my PhD-as-practice with (and where I am also supported by) Loughborough University.

So many hands. Helping me make this thing, which I hope will be an experiment in connecting people, small kindnesses, and voicing a city. Get excited. I am. (I’m also equal parts nervous, but I don’t think you need to share that too.)

The main site for the project is up now: umbrellaproject.co.uk, and you can also follow @umbrellaproject on Twitter and ‘like’ it over on Facebook. At the moment there’s basic info, but as soon as downloads are released, and event dates for the walks, and my visits to the streets of York are announced, you will find details about them in all of those places.

And for now? pass it on…

An attempt to map the entire world, alphabetically, in a day. To name every country in its own language, and to collect a story for every country, and to place it, correctly, on the map, from memory. Using cardboard, paper, pens and post-it notes, and with the help of the audience, Third Angel and mala voadora build a portrait of the world, as it was, as it is now, and as it might be in the future.

You can see a slideshow of the  pictures I took below, or go and read Alex’s seriously brilliant account of the day. Do it, do it now.

First up, a 7 minute taster of the WHOLE DAY

And for the more dedicated or mix&match viewer, a playlist of videos of each provocateur:

Had a magnificent time at TEDxYork. Enjoyed speaking very much (during and after it happened, at least) and was a real privilege to hear thoughts from people like Alan Lane, Alex Kelly, Dan Bye, Tassos Stevens, Baba Israel et al. A little disappointing in terms of female presence, but otherwise really fascinating. I’M TOO TIRED TO TURN ALL OF THESE NAMES INTO LINKS. PLEASE GOOGLE THEM. And do read Alan’s talk about ‘cancer, West Berlin, pianos and ideas above your station’. I’ll post the TEDx video of my call to arms for artists, technologists and citizens as soon as it’s up. No time right now to turn my notes into something bloggable, but will leave my slides and conclusion above and below if you want to peruse them. They give very little away, sorry.

This week: Umbrella Project sound categorising, PhD, Zero Hour visit to London, more desperate volunteer recruiting, and preparation for the workshops I’ll be running in Brussels. No rest/wicked, etc.

These examples, they use technology, but not as a tool, They put a body at the centre of it, and use it to create a spectre.

“a revolutionary practice that relies as much on imagining and mobilizing better stories as on shocks to the system” (Pile, 2010, p. 53)

If I might return to the metaphor of ‘steam’. Technology and art should about taking heat, and water, and producing something fundamentally different.

Too often the arts look at technology as a tool – not as a material, as long as they do, they won’t truly be able to work with it

The arts need to embed themselves in the real world like a virus. Haunting the city with visions of what it might be. Of how we, not private interests, might be able to use technology in the city.

This will hopefully go up on ArtsJobs soon, too, but thought I’d share it on here and twitter etc. as soon as possible. Please do pass it on to anyone who you think might be interested. Thanks!

Looking for 20 people, around the age of 18-35, 10 male, 10 female

I am an emerging artist creating an apocalypse-related sound experience for a festival happening in London in July. The piece is set on the top deck of a night bus, and requires 20 people to complete simple actions on the streets at set times along the bus route.

You will need to be willing to work in pairs, for a few hours reasonably late on 3 nights, as well as attending a brief meeting, and day’s preparation. The movements will not be complicated, for example, one just involves running along the street whilst holding hands.

You will need to be available:

• On the late afternoon or early evening of the 14th of July for a brief meeting
• Most of Saturday the 23rd of July to choreograph and rehearse the movements.
• Between the hours of midnight and 1am on the 24th of July, for a dress run.
• Between the hours of midnight and 2am (or a little later depending on where you are on the route) on the 25th and 27th of July.

I can pay each ‘performer’ up to £10 expenses, and will buy everyone a drink. If you get any costume items, you’re welcome to keep them! You will also be fully credited on the handout material that goes with the show.

If you’re interested in helping me create the apocalypse on a bus route, please contact me to find out more! Email Contact [at] hannahnicklin.com as soon as possible (and before the 11th of July) for more info.

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