#zerohour propaganda
Playing around with leaflet design for my and Steve’s Zero Hour sound piece.
Extra material in case the journey is longer than the sound…
Archived entries for Creative
What is Zero Hour?
I was originally going to release this info a bit later, but turns out people are already booking (the very limited) tickets, and didn’t want anyone in my networks to miss out.
The Zero Hour Bus Tours are 4 pieces of audio loosely themed along the lines of ‘the apocalypse’, designed to be listened to on the N11 night bus (London) between the hours of midnight and 3am. The journey will take roughly 35 minutes.
They are a Forest Fringe commission for the In Transit Festival 2011. Along with Steve Kilpatrick on sound I have been writing one of these experiences.
You can buy tickets for any of the 4 different ‘tours’ (and the rest of the festival) on this site, and below are the direct links to the times and dates of my and Steve’s piece. The piece is gently interactive. It might ask you to do small things; look out the window, hold onto a handle. Nothing that might make you look silly.
The tickets are free, but limited; for mine there are only 6 per journey. As we are being only ‘tolerated’ by TFL, you will have to pay for your bus journey (£2.20 cash, £1.30 Oyster). My journey is from World’s End, to Liverpool St. Further instructions will be provided after you have bought your ticket.
MON 25TH JUL, 2011 12:35am
MON 25TH JUL, 2011 1:05am
MON 25TH JUL, 2011 1:35am
WED 27TH JUL, 2011 12:35am
WED 27TH JUL, 2011 1:05am
WED 27TH JUL, 2011 1:35am
I am still looking for a few more volunteers to help me on the night, there are more details about that here. Please get in contact ASAP if you are available on the above dates/times, plus the weekend before, and interested in running around London in exchange for a drink, £10 expenses, and all the costume items that I might furnish you with.
Preview
A small preview of something I’ve been working on that’s happening the end of this month. Best listened to on headphones. Stay tuned for more info…
view on vimeo here: http://vimeo.com/25934590
Real Life Residues
An image from the working one of the Twitterbug workshop days.
Recently I’ve been wondering about the sticking power of Twitter. The people I have my eye on who tend to turn before the tide does have been getting itchy feet about it, and whispers about the second dotcom bubble are now even reaching the mainstream media. It’s fair to wonder ‘what happens next’ to companies like Twitter valued as high as they are whilst still making a loss – do they turn to ads, with premium ad-free accounts? Do they make their money out of apps (too much competition)? Or will they just become bloated, too big for conversation (Myspace, and now facebook’s problem)? But… migrating from Twitter? It feels like an surprisingly emotional thing to be thinking about. Twitter has played such a large role in my finally feeling part of an arts and politically active community as well as providing the opportunity to meet and work with some wonderful people, and to make some wonderful friends.
It means a lot to me that limping my bike home to an empty house, shaking slightly, after being hit by a car, I can tweet my shock, and be.. well, cared about (however fleetingly) by above a 50 people. But then I remember that it’s the people, not the medium, that matters. If we all move to what Diaspora or Beluga might turn into – or something else that doesn’t exist yet – the medium may change, but I don’t think the web will stop being social, stop weaving our lives together. I’ll still see the snapshots of @joethedough‘s baby boy growing up confusedly in silly hats, hear about the regular ‘offstage’ characters like @SlunglowAlan‘s cheese-pilfering lodgers, and care about @Andyvglnt’s earnest battle with anxiety and depression mixed with the best new punk and hardcore recommendations this side of the Atlantic.
These thoughts about Twitter, or the form of communication and interception that it has brought to my (our) lives have been bubbling at the surface of my mind particularly because over the past two weeks I’ve been working on a theatre/twitter investigation in Manchester. Catherine Edwards and North West Playwrights brought together three writer/performers, Alex Kelly from Third Angel as a (loosely termed) director, and myself as a tech-ish art specialist to look at the possibilities and challenges of creating ‘theatre’ (performance/drama) on twitter. Or through twitter, perhaps, as it ends IRL, with a performance at DAT Fest in Stoke next weekend under the name of ‘Twitterbug‘. Continue reading…
